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BLUE ROOM

Artist: Eva Puck & Sammy White in the musical The Girl FriendComposer: Richard Rogers and Larry Hart Copyright: 1926GoChords.com

G Clef
Four-Four Time
Begin Repeat
F6
Measure Bar
Measure Bar
Measure Bar
Gm7
Measure Bar
C7
Gm7
C7
Dm
Dm
custom chord
2 beats
2 beats
2 beats
2 beats
2 beats
2 beats
3 beats

We'll have a blue room, a new room for two room, where

Not like a ball room, a small room, a hall room, where

Measure Bar
Measure Bar
Measure Bar
custom chord
custom chord
G7
Measure Bar
Gm7
End Repeat
Cm7
Dm
2 beats
2 beats
2 beats
2 beats
C7
2 beats
Fermata
2 beats
2 beats
2 beats
1st Ending
F7

every day's a hol i---day, be---cause you 're married to me...............................

I can smoke my pipe a--way, with

Measure Bar
2nd Ending
Measure Bar
Ending Bar
F6
Gm7
C7
F6
2 beats
2 beats
2 beats
Fermata

your sweet head upon my knee...........................

Bridge
Ending Bar
Gm7
Measure Bar
C7
Measure Bar
Measure Bar
Am7
D7
Measure Bar
F6
A#7
4 beats
4 beats
2 beats
2 beats
2 beats
2 beats

We will thrive on, keep alive on just nothing but kis---------------ses

Measure Bar
Gm7
C7
Measure Bar
Gm7
C7
Measure Bar
Dm7
Measure Bar
Gm7
G7
Ending Bar
C9
2 beats
2 beats
2 beats
2 beats
2 beats
2 beats
2 beats
1 beat
1 beat
Fermata
Fermata

with Mr and Mrs..................... on little blue chairs............................................

Ending Bar
Measure Bar
Measure Bar
Measure Bar
Measure Bar
F6
Dm
Gm7
C7
Dm7
Dm
Gm7
C7
2 beats
2 beats
2 beats
2 beats
3 beats
3 beats

You sew your trouseau, and R o b i n s o n C r u s o e is

Measure Bar
Measure Bar
Measure Bar
Measure Bar
Ending Bar
custom chord
custom chord
F6
Gm7
C7
Cm7
custom chord
2 beats
2 beats
2 beats
2 beats
2 beats
Fermata
custom chord
Fermata
Fermata
2 beats
F7

not so far from worldly cares as our Blue Room far away up- stairs............................

HISTORY:
After its introduction in the Broadway Musical - The Girl Friend in 1926 it did not take too long to be taken up by the big swing bands of the 30s and 40s. The Dorsey Bros first then Benny Gooman put down up tempo big band versions of the song by the end of the 30s and then the great Jazz piano player of the 40's Eddie Duchin included it in a 1942 medley with Am I Blue in a Columbia release and the song got a "second wind". In 1948 Perry Como, first in the film "Words and Music" and later backed by a big studio orchetra and full choir, made it the famous Jazz standard it has become. In the 50s it was put down by Miles Davis (1951) Thad Jones (1956) Billy Smith (1957) and Hank Jones (1958). Its most recent reading (1999) was by Jazz pianist Bill Charlap who is regarded as the modern equivalent of Bill Evans.
This song has a rather nice musical progression through the major and minor 7s usually finishing with a minor 7 to end the phrase. It's the timing of the beats which are tricky. Note that in some bars the first chord is strummed for 3 beats, then in the next bar it is strummed for 2 and then the next chord comes in before the singing note is sung. Keep an eye peeled for this little syncopation.
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